在现实生活或工作学习中，大家最不陌生的就是作文了吧，通过作文可以把我们那些零零散散的思想，聚集在一块。你所见过的作文是什么样的呢？
一、自查情况
为了提高公司的管理水平，加强员工的考勤管理，我们对公司的考勤情况进行了自查。自查结果显示，公司的考勤管理目前存在以下问题：
1、考勤方式不规范。
公司用的考勤机器和考勤卡管理没有和员工签订考勤管理规定，没有确定考勤的规范方式，导致考勤数据的准确性无法保证。
2、考勤数据异常处理不及时。
在考勤过程中，因为一些意外情况，有些员工的考勤数据是异常的。但这些异常数据没有及时被发现和处理，使得考勤数据的真实性和准确性无法保证。
3、考勤记录缺失。
在考勤管理中，一些员工的考勤记录被遗漏或者未能及时登记，使得员工的考勤数据不完整，无法及时准确地反映员工的实际工作情况。
4、考勤管理责任不落实。
公司未明确考勤管理的责任人和责任部门，导致在考勤管理过程中，存在管理责任不明确、责任不落实的情况。
二、整改措施
针对上述问题，我们提出以下整改措施：
1、规范考勤方式。
公司应该与员工签订考勤管理规定，并确定考勤的`规范方式。考勤机器应该进行调试和维护，保证考勤数据的准确性。
2、异常数据及时处理。
公司应该建立异常数据及时处理机制，明确异常数据的处理流程和责任人，保证考勤数据的真实性和准确性。
3、完善考勤记录。
公司应该落实考勤记录的登记和备份工作，建立考勤记录的完整性和及时性，保证员工的考勤数据准确性和实时性。
4、责任人明确。
公司应该明确考勤管理的责任人和责任部门，建立考勤管理的责任体系，保证考勤管理的责任明确、责任落实。
三、建议
1、定期检验考勤机器，保证考勤数据的准确性。
2、在考勤管理过程中，员工应该如实记录工作情况，不能随意更改考勤记录。
3、在考勤管理过程中，管理人员应该及时与员工沟通交流，发现问题及时进行处理。
4、在考勤管理过程中，管理人员应该落实到每个人，每个岗位，每个部门，防范考勤管理漏洞。
总之，考勤管理是企业的基础性管理工作，必须要严格落实和规范，才能够为企业的管理水平提供有力的支持和保障。我们相信，通过本次自查和整改，在考勤管理方面的问题一定会被顺利解决，为公司的发展注入新的动力和活力。
七年级下册第四单元学生作文一
说起中国的戏曲，可真的是历史悠久了，而且经过五千年的 沉淀，中国戏曲的种类繁多，全国许多的地方都有自己的剧种，而且都具有自己独特的地方文化风情。所以说，我们中国，可谓是真正的戏曲大舞台。
中国现有的戏曲剧种大约是三百六十多种，传统剧目数更是惊人：可以以万数计！我们知道许多剧种很多剧种都是有其独特的演变过程，我们知道的比较有名的剧种：如京剧，越剧，吉剧等等。而且中国的戏曲与西方的戏剧不同，它有自以独特的审美观念与表演体系，现在就为大家介绍一些吧：“生”是除大花脸与丑角以外的男性角色统称，里外又分“老生，小生，武生，娃娃生。“旦”是女性角色统称，分：正旦，花旦，闺门旦，武旦，老旦，彩旦。“净”是指扮演性格，品质或相貌上有些特异的男性人物；“净”又分以唱工及以工为主的花脸；“丑”扮演喜剧角色。
怎样？
茶花女，阿芒，那宁娜，柏吕唐司……合上书，闭上眼，脑海中浮现出一个个形形色色的戏里人物；睁开眼，那些有血有肉的戏剧演员便出现在眼前。作者以一个少女的视觉，带我们走进戏剧《茶花女》的幕后。
一本朋友带来的刊物，让年过半百的我，忆起了那出《茶花女》。那是我第一次演戏，扮演的`是茶花女的贴身侍女，那宁娜。听说是演丫鬟，让我有点儿不高兴，但毕竟是第一次嘛，我既兴奋，又紧张。还好，我的戏很简单，大家都对我很照顾，他们都亲切的叫我“小林子”。在拍戏的过程中，我见识了各种各样的人，经历了一生中不曾有过的经历。
通过作者细腻的笔触，把演员真实的一面展现在读者面前。演员的演技实在是太好，所以以一个观众的视觉很难捕捉到什么蛛丝马迹：有的人戏里是情人，甜甜蜜蜜，而戏外连普通朋友都算不上；有的人在戏里娇媚刁蛮，而戏外却温柔可爱；有的人在戏里一贫如洗，而戏外却是腰缠万贯……
这是虚伪吗？
曾经我一度是这 为什么？为什么这些人明明不想哭，却要拼命抹眼泪？为什么这些人明明不想笑，却要强颜欢笑？为什么这些人在戏里温和体贴，一到戏外就趾高气扬？……为什么？换作是我，我绝对做不到。
作者很好得回答了这些问题：“演戏是别人的艺术，而生活是自己的艺术。”
我恍然大悟——演戏是演员的工作，他们的任务就是让自己变成所要扮演的角色，出色的演技会让观众更好得理解角色，而不是演员这个人；但在戏外，他们有自己的生活，他们无需被戏里的角色左右。
我想一个真正的好演员，是分得清演戏和生活的，他不仅有出色的演技，也能在生活中扮演好自己的角色。人生如戏，戏如人生。不仅仅是演员，愿每个人，都能在人生的大舞台上占得一席之地。
中国戏曲源远流长，有着鲜明的民族风格。被誉为＂国粹＂的京剧现在被很多人忽视了，大多喜欢流行歌曲。为了让我们喜欢国粹，了解戏曲，我们班开展了一次别开生面的戏曲知识竞赛。我可为这次比赛做了充足的准备，想大显身手一番。
在比赛开始前老师为我们详细的介绍了游戏规则后，比赛正式开始了。
第一环节是听曲说出戏曲中的`六个故事。此时的我绷紧了全身的每一根神经，准备枪答。可过了一会儿老师告诉我们不是那一首，下载错了，我此时紧绷的神经卸了下来。唉！老师跟我们开了个玩笑。只有举行下一轮了。
这一环节是各大组的必答题，只见王老师向我们这组走来说到：＂请听题，戏曲中的四大行当是什么？＂还未等我反应过来，杨学就站了起来信心十足的说：＂生。旦。净。丑。＂全场响起了｀热烈的掌声。掌声包涵了一切，她答对了，加了积分２分，接着是其他大组抢答了，他们都对了得到了积分。而我们小组却还是零分，急死了！
下一轮抢答。我们小组成员都做好了举手的准备，我全神贯注地注视着王老师，看着她的嘴，好像想从那张嘴中，早点把题挖出来，举手抢答。只见王老师刚说完题目，便有几十双手齐刷刷的举起，像一片森林看着其它大组的分数在不断增高，而我们大组还在原地踏步，真是让我们心急如焚。＂脸谱中红脸代表什么？＂＂忠勇＂。只听声音从身后传出，呀！是我们大组答的。我有了一点信心。老师又问了一道关于戏种出处的问题，王献毫不犹豫的举起了手，她站起来可能太过紧张半天说不出一个字来，我们小组都急了。这时她说了个词＂河南＂。老师笑了笑说回答正确＂。真是为她捏了一把汗。
紧接着，王老师又给我们放了黄梅戏。京剧等选段，让我们大饱耳福。同学们
也都呀呀哼唱着，都在欣赏。品味这流行乐以外的音乐。最后此此戏曲知识竞赛在在美妙的曲调中化上了圆满的句号。
在这次竞赛后，我发觉其实戏曲并不像我们想象中那么无味，只要你细细去品就有不一样的味道。愿你有一天能走进戏曲大舞台，走进戏曲的世界！
《戏曲大舞台》全国许多地方都有自己的剧中，可谓百花齐放，异彩纷呈。每个地方的戏曲，都具有自己独特的地域文化风情，如昆曲的典雅精致，粤西的轻柔玩，可以说一方水土造就一方戏曲。今天，就让我们走进民族文化的宝贝——吸取天地之中，去感受他拨打的内涵，去品味它悠长的韵味吧。
我国的戏曲，历史悠久，种类繁多。据统计，全国现有的戏曲剧种约有三百六十多种，传统剧目数以万计。很多剧中，都有其独特的演变过程。如大家都知道的京剧，就是由安徽的徽调和湖北的汉调及昆曲、秦腔糅合发展而来的；东北的吉剧，是由民间说唱艺术二人衍化而来的。 中国的戏曲和西方戏剧不同，他有自己独特的审美观念和表演体系。比如我们经常在洗礼看见的大花脸，那就是戏曲中的一个行当。戏曲剧种人物由生、旦、净、丑等不同行当来充任。表演上也具有中国传统美学的协议特点，比如用几个龙套表演就代表千军万马，舞台上开门关门等也往往用虚拟的动作来表下。 中国的戏曲，真是几天几夜也说不完。
“戏曲”对我来说是个陌生的词，只是一个上代人爱看的节目，远远不及现代的动画片，所以我从来没有看过，根本不了解“戏曲”的所有相关资料。 “戏曲”这个词突然变新鲜了，我真想回到从前，看那古代的戏曲表演。
Chinese opera, with a long history, has a distinctive national style. Each type of opera has its unique charm, charm and connotation: for example, the grace and beauty of Beijing opera, the elegance and delicacy of Kun Opera, the high and sad of Bangzi opera, and the gentle and graceful of Yue Opera
But these treasures of the Chinese nation, in this pluralistic society, seem to have some untenable roots. Todays art forms are increasingly rich, and traditional opera is facing more severe tests and challenges. It is gradually forgotten by people and replaced by "fashion". More people like to pursue fashion and think that they can show themselves and get satisfaction in fashion. "Abandon the opera and cast it into fashion".
Why does traditional opera face such a choice? Is it boring? No Its because it cant resist the shock of the fashion. What is fashion? Lead the trend and pursue fashion. There is no denying that "pop" is also an art, but in reality, art.
To make a comparison, fashion is like a fashion across the sky, passing by in one stroke, short but bright. More people are amazed at its brilliance, so they abandon the tradition to catch up with fashion, and only feel the dazzling brilliance of fashion radiated in their heart can they pay attention to it. However, behind the stroke, there is silence, without any spiritual enjoyment after pursuit. The traditional opera, like a star in the universe, is not dazzling. Although it is looming, it always keeps its rhythm humming and quiet. It got rid of the noise and flashiness. In the middle of the night, a person sits quietly and listens to a opera, or makes a cup of mellow tea, watches a drama program for a while, you will feel detached nature and quiet, and feel the ancient but fresh opera is very beautiful.
This is the charm of opera, such as a breeze blowing, spirit and soul, at this moment, can be sublimated. In fact, there is no "go" or "stay" in traditional Chinese opera. It has always been a treasure of our nation, an oriental opera and an eternal historical culture.
Listen, the wind blows, the leaves swing, and the laughter of the clouds. I lost my ground and thought of the ancient and natural rhythm.
人教版七年级下册四单元作文：戏曲大舞台作文800字
“戏曲”对我来说是个陌生的词，只是一个上代人爱看的节目，远远不及现代的动画片，所以我从来没有看过，根本不了解“戏曲”的所有相关资料。
小时候，在沉闷的假期里，按动电视遥控器，不时地会发现有一些关于“社戏”的节目，但我却毫不犹豫地跳过了，看那些有趣的动画片。
很多熟悉歌曲，都来自社戏。比如黄梅戏《天仙配》中的歌，常常在我妈妈嘴边挂着，不时还会哼两下：树上的鸟儿成双对，绿水青山带笑颜，从今再不受那奴役苦，夫妻双双把家还，你耕田来我织布，我挑水来你浇园，寒窑虽破能避风雨，夫妻恩爱苦也甜，你我好比鸳鸯鸟，比翼双飞在人间。作文
我非常需要认识“社戏”，恰好我上了一节关于“社戏”的课。
课上，我们先听了一首歌叫《唱脸谱》，我觉得很有趣，因为歌里有现代的音调，也有古代的。唱法。接下来是交流资料，因为我准备充分，自然也会学得很好。作文
社戏的角色分四大类：生旦净丑，是按胡须的颜色分的。“生”分为老生(须生)、小生、武生、娃娃生；“旦”分为正旦、花旦、闺门旦、武旦、老旦、彩旦(摇旦);“净”分为做工和唱工；“丑”是扮演喜剧的角色。我国讲究用“唱念做打”四种艺术手段和“手眼身法步”五种技术方法来表现人物。
我们还欣赏了几种戏曲剧的简介：昆剧——中国戏曲之母；京剧——东方“歌剧”;黄梅戏——芬芳的泥土气息。我们欣赏了我最熟悉的黄梅戏《天仙配》、粤剧《分飞燕》、豫剧《花木兰》。
我们还学了京剧的脸谱：在人的脸上涂上某种颜色以象征这个人的性格和性质、角色和命运。红脸含有褒义、代表忠勇；黑脸为中性，代表猛智；蓝脸和绿脸也为中性，代表草莽英雄；黄脸和白脸含贬义，代表凶诈；金脸和银脸是神秘，代表神妖。脸谱起源于上古时期的宗教和舞蹈面具，今天许多地方戏中都保留了这种传统。
“戏曲”这个词突然变新鲜了，我真想回到从前，看那古代的戏曲表演。
It should have been a sunny afternoon, but the sky was getting darker and darker, indicating the arrival of a storm. Rain has already fallen densely on me. I quickened my pace, I dont want to get drenched.
Passing by the square near my home, on the stage set up yesterday, the actors are rehearsing intensively, each move with extraordinary momentum, and their strong and round voices are as beautiful as heavenly music. I stopped for a while, then didnt dare to stay any longer - the rain had rained much harder. Hurriedly returning home, I saw the group of actors holding up umbrellas and still singing and dancing from the window. The thought of unfinished homework leaves me with no time to continue reading.
The rain is still falling, but its getting more intense. The hour hand pointed to seven, and the Yue opera actors took the stage on time. They were dressed in oversized costumes, painted pretty faces, and wore bulky headbands. Although beautiful, the heavy rain had already soaked the costumes, blurred the face, and made the crown of the head unstable. They didnt give up, still with solid steps, confident posture, and unique singing style, but what they offered was... an empty audience.
Curiosity drove me down the stairs with an umbrella. As soon as I stepped out of the door, a cold wind made me shiver, but the actors on stage, their wet clothes dragging water, did not affect their agile posture in the slightest. In the heavy rain, the more you jump, the more beautiful it becomes, and the louder you sing.
People say, One minute on stage, ten years off stage. But how much sweat and tears did they leave behind in this hour? On stage, its glamorous and glamorous. Do we just need to idle around all day, eat, drink, and have fun? No, its not. No one knows or wants to know, what the audience cares about is only the most exciting moment on stage, and what the actors cherish the most is also that moment. What they offer to the audience is the highest quality joy, leaving themselves with double the pressure and eternal back pain.
The singing lingers in my ears, accompanied by the sound of rushing rain. This opera in the rain is unforgettable.
中国戏曲源远流长，有着鲜明的民族风格。被誉为”国粹”的京剧现在被很多人忽视了，大多喜欢流行歌曲。为了让我们喜欢国粹，了解戏曲，我们班开展了一次别开生面的戏曲知识竞赛。我可为这次比赛做了充足的准备，想大显身手一番。
在比赛开始前老师为我们详细的介绍了游戏规则后，比赛正式开始了。
第一环节是听曲说出戏曲中的六个故事。此时的我绷紧了全身的每一根神经，准备枪答。可过了一会儿老师告诉我们不是那一首，下载错了，我此时紧绷的神经卸了下来。唉！老师跟我们开了个玩笑。只有举行下一轮了。
这一环节是各大组的必答题，只见王老师向我们这组走来说到：”请听题，戏曲中的四大行当是什么？”还未等我反应过来，杨学就站了起来信心十足的说：”生。旦。净。丑。”全场响起了‘热烈的掌声。掌声包涵了一切，她答对了，加了积分２分，接着是其他大组抢答了，他们都对了得到了积分。而我们小组却还是零分，急死了！
下一轮抢答。我们小组成员都做好了举手的准备，我全神贯注地注视着王老师，看着她的嘴，好像想从那张嘴中，早点把题挖出来，举手抢答。只见王老师刚说完题目，便有几十双手齐刷刷的举起，像一片森林看着其它大组的分数在不断增高，而我们大组还在原地踏步，真是让我们心急如焚。”脸谱中红脸代表什么？””忠勇”。只听声音从身后传出，呀！是我们大组答的。我有了一点信心。老师又问了一道关于戏种出处的问题，王献毫不犹豫的举起了手，她站起来可能太过紧张半天说不出一个字来，我们小组都急了。这时她说了个词”河南”。老师笑了笑说回答正确”。真是为她捏了一把汗。
紧接着，王老师又给我们放了黄梅戏。京剧等选段，让我们大饱耳福。同学们
也都呀呀哼唱着，都在欣赏。品味这流行乐以外的音乐。最后此此戏曲知识竞赛在在美妙的曲调中化上了圆满的句号。
在这次竞赛后，我发觉其实戏曲并不像我们想象中那么无味，只要你细细去品就有不一样的味道。愿你有一天能走进戏曲大舞台，走进戏曲的世界！
一、课文内容梳理
《叶圣陶先生二三事》从治学、待人、为文等方面记叙叶圣陶先生生前的一些琐事，表现了先生待人宽、律己严的品德。语言平实朴素，感情真挚动人。
《驿路梨花》这篇文章，从整体上看是按“我们”的所见所闻的时间顺序组织材料的，是顺叙，在顺叙过程中又有插叙；如果按小茅屋的产生及迁延过程看，又是溯源的倒叙，恰似倒卷珠帘。在情节的安排上，作者巧妙地设置悬念和误会，使情节富有戏剧性。整篇文章，短短的篇幅，却形成了路转峰回、跌宕起伏之势，读来很有味道。】
《最苦与最乐》中，梁启超从最苦和最乐两方面来谈人生的责任，告诫我们：人生在世，必须要对家庭、社会、国家以及自己尽到应尽的责任，这样才能得到真正的快乐。
《短文两篇》中《陋室铭》《爱莲说》立意鲜明，是作者对自己志趣与节操的表白。我们要体会古人立身处世的崇高境界。】
二、单元字词汇总
13．叶圣陶先生二三事
诲人不倦 huì rén bù juàn：教导人特别耐心，从不厌倦。
商酌 zhuó：商量斟酌。
不妥 tuǒ：不好，不合适。
付之一笑：比喻不计较，不当一回事。
累 léi 赘 zhuì：指拖累、麻烦。
别 biè 扭niu：这里指说话、作文不通顺，不流畅。
拖沓 tà：形容做事拖拉。
14．驿路梨花
延伸：延长，伸展。
迷茫：广阔而看不清的样子。
简陋：(房屋、设备等)简单粗陋。
悠闲：闲适自得。
恍 huǎng 惚 hū：精神不集中，神志不清。这里指梦中看得不真切的样子。
暮色：傍晚昏暗的天色。
红润：红而滋润，多指皮肤。
漫步：没有目的悠闲地走。
晶莹：光亮而透明。
折损：这里指对方礼节过重，自己承受不起。
修葺 qì：修理(建筑物)。
15．最苦与最乐
契qì：用刀子刻；证明买卖、租赁、抵押等关系的凭据；符合。本文取第二种意思。
失意：不得志。
达观：对不如意的事情看得开。
如释重负：好像放下了沉重的负担。
悲天悯 mǐn 人：对社会和人类的灾祸苦难等表示忧虑和同情。
海阔天空：形容大自然的广阔，也比喻想象或说话毫无拘束，漫无边际。
心安理得：自信事情做得合理，心里很坦然。
任重道远：担子很重，路程又长，比喻责任重大。
无入而不自得：语出《礼记·中庸》。意思是，君子无论处在什么境遇都能保持安然自得。
Chinese opera has a long history and is a classic of our country. Different regions have their own styles and characteristics of opera, which are pleasing to the eye. Some of its plots are tear jerking, while others are inspiring, colorful, and stunning.
When I was young, when I saw my parents watching opera, I always thought they were too old-fashioned and couldnt keep up with the trend. I wouldnt even go watch that outdated thing if I were beaten to death.
As the saying goes, "To know the taste of pears, its best to taste them with your own mouth." If you dont taste them, youll be surprised! In todays Chinese class, when I cherished and carefully appreciated the unique Chinese opera, I was truly shocked. It turns out that our Chinese national opera has such artistic charm! I am truly a frog at the bottom of a well! How can foreigners compare with the treasure left by the old ancestors? No wonder the older generation is so passionate and fond of these operas.
Only now do I realize what it means to be a Chinese without watching operas. isnt it? These operas are like a part of the history of our country. Only those who know how to appreciate them, those who know how to pay attention to them, and those who know how to dig them can be called real Chinese. Because they deeply understand a truth, opera is our national treasure, opera is our quintessence, opera is our national opera! How can we forget them? In todays society, as teenagers, our vision has shifted to popular music, film and television, and the internet. It seems that we have forgotten the traditional art of our Chinese nation. In fact, when we carefully appreciate our opera, we will find that they are like wonderful historical stories, presenting the picture of history to us one by one, leading us into the tunnel of history, immersing us in the scene, and leaving us deeply moved.
How can we forget the artistic charm of traditional Chinese opera? We should appreciate the traditional art of our Chinese nation more, let it shine forever, and let it be passed down from generation to generation!
“梨花开，春带雨，梨花落，春入泥……”明亮的房间里，传出一阵阵咿咿呀呀的京剧唱腔，站在我身旁的是好友钟文隽，我们正在老师的指导下练习唱京剧呢！
原来学校一年一度的“迎春杯”学科竞赛又开始了，抱着好奇心，我跟钟文隽一起参加了音乐比赛，这次是戏曲竞赛。平时我经常看见广场上大妈们在唱京剧，咿呀呀的，没觉得有什么好听的，这次我们竟然要亲自去一探究竟！
这《梨花颂》可是大型交响京剧《大唐贵妃》的主题曲，经典之极！刚听到要唱的曲目是《梨花颂》时，我当场头就大了，这可比我想象的要难很多，曲折转调的节奏，艰难古怪的发音，还有奇特的变化音，我几次都想放弃，还好有老师的耐心指导及鼓励，我改变了想法，并且真正体会到了京剧的美。
初到老师家，老师教我们如何发音：嘴巴张大、笑肌打开、声音的'共鸣推到眉心……老师开始张口唱了，只见她眼睛睁大，格外有神，脸部舒展开来，笑得十分慈祥，声音圆润洪亮，魅力十足。我被这歌声吸引了去，直到唱完了，还没缓过神来，久久沉醉在京剧那唯美的韵味中。经过不懈的努力，反复推敲模仿，我终于也有模有样地能边唱边做动作，从中我也切实体会到了中国戏曲的魅力所在。
戏曲竞赛当天，当穿上戏服、彩鞋，化妆幻化成戏中人物时，我们都有几分莫名的紧张和激动。闪亮的首饰、明晃晃的发簪、拖得长长的水袖，让我们仿佛穿越成为古代柔美的窈窕淑女，因为连走路时都得小心翼翼，否则随时都会被长衣裙牵绊摔倒，可不能像平时风一样来去自如，头上的发髻厚重得让人不敢东摇西晃。
这次比赛很成功，学唱京剧的这段经历不仅让我对祖国的传统戏曲京剧有了更加深刻的理解，也让我有了敢于尝试新鲜事物的勇气和信心。
Last weekend, the teacher assigned a practical assignment for us to learn opera at home.
After school, I hurriedly returned home and opened my phone to search for opera. I havent thought about what drama or song to sing yet, so I searched online. I watched a lot of things and finally chose to sing Huangmei opera. But there are many songs in Huangmei opera, I dont know which one to sing well, so I have to search online again. I have looked at some rankings, and the only Huangmei opera that ranks higher is Who would have expected to be the top scorer in the imperial list of female consorts. I heard from netizens that this opera is easy to learn and I quickly started learning it.
I ran to the back room, closed the door, and listened to this song. I have listened to it many times, but I still cant sing at all. I think this wont work, we need to try other ways. I think we can memorize the lyrics first and then learn the song. So, I went to search for lyrics. But I cant remember the lyrics either. Is this what the netizen said about being easy to learn? I might as well close my eyes and hum softly to the music. I finally have some understanding. Ill keep humming until I cant get out of tune. I have gained a sense of accomplishment. I opened my phone again to look at the lyrics, followed them line by line, and finally sang them all together. I had a feeling of singing earlier, but Im still not very familiar with the rest. I was planning to practice again, but its time for dinner.
I hurriedly finished dinner and started practicing again. For now, I think we should only practice the second paragraph and become more proficient in it. I used the same method as the first paragraph in the second paragraph, so it was faster than the first exercise. Now, I can finally sing with great effort, I want to practice more proficiently.
I had some confidence, so I opened a song recording software and wanted to record and listen to it. I started singing safely earlier, but later on, I sang the lyrics incorrectly in many places. I listened to the recorded music once and practiced the parts where I didnt sing well a few times.
I can finally sing this opera.
他从我身边走过一一咿咿呀呀的唱着。
我以为他在唱戏，侧耳细听，浑厚的嗓音里发出听不清的声调，或抑或扬或高或低，时而高亢时而沉郁，我抬头看他，白净的脸颊上异满了喜悦，弯弯的眉角似月牙。笑容温暖的像阳光一般，瞬间驱散了心间缠绕的阴霾。
再次见到他是在学校的光荣榜上，他名列榜首，高中状元。照片里干净的白衬衣，衬得他越发帅气。他依旧笑容灿烂眉眼弯弯。
第三次见到他，他依旧在忘我地唱着戏。我不禁对他产生了浓厚的好奇心，他到底是何方神圣？我对朋友说，你听他在唱戏。
“唱戏？不，他没有在唱戏，他是在说话，他小时候得过小儿麻痹症，所以到现在说话和走路都不利索，你看。”我顺着朋友的手望去。
啊！
他走路一跛一跛，费力的`扭动着自己的左腿，好像每走一步都需要耗费很大的力气，我只注意到他的笑容却忽视了他走路的姿态。
一股暖流涌上心头，我不禁热泪盈眶，被他强大的心灵而打动。他的阳光自信的笑容永远带给别人无限的正能量，可自己却默默承担起所有的不幸，没有怨天尤人，没有惆怅自卑，即便病魔缠身，即便嘲笑如云，他依旧乐观的面对所有的困难，用最真挚最阳光的笑容带给他人温暖和力量。
在生活中可能也存在着许许多多这样唱戏的男孩儿，他们的脸上风轻云淡，可谁也不知道他们牙咬得有多紧，他们走路带着风，可谁也不知道他们膝盖仍有淤青。
朋友，即使失落涌上心头，即使阴霾驱散不走，也要悄悄为自己留一份阳光，照亮失望，不再彷徨，让青春的花蕾在此绽放，乐观的面对生活中的种种不顺吧，这或许才是人生的最好姿态。
“蓝脸的窦尔敦盗御马，红脸的关公战长沙……”我的爷爷酷爱戏曲，每天都咿咿呀呀的哼着，自从爷爷学会放电视后，那戏曲的声音更是传遍左邻右舍，震得我的耳朵呀，都“嗡嗡嗡”的响。
对我而言，戏曲就是那种一句话都要说个好长时间，弄得人不耐烦的电视剧，还有那正不正斜不斜的音调，真是太难听了。爷爷却总是听得不亦乐乎，要我说，那些流行歌曲比这土里土气的腔调好听多了。“为救李郎离家园，谁料皇榜中状元……”唉，你瞧瞧，他又开始听了。我捂住耳朵在一旁写作业，但那长长的音调还是直往我耳朵里钻。就这样，戏曲一直是我的仇敌。
阳光正好，微风不燥，这天下午，学校要举办“戏曲进校园”的活动。操场边站满了老师，还不时有些爷爷奶奶辈赶来，他们或坐或站在操场边沿，目光都向着舞台。我真的是搞不明白，为什么会有这么多人喜欢听戏曲呢？
带着疑惑，表演开始了，当欢快的音乐声响起，一位妙龄少女迈着轻快的小碎步走来。那一身五彩斑斓的衣裳让人眼前一亮，长袖飘荡，一身粉梅色纱衣，月牙白的衣裙，多么引人瞩目。“真美啊！”我一下入了迷。当听到《天仙配》中的“荒郊野外，孤男寡女，拉拉扯扯，成何体统”这一句，看到一个拄着拐杖的老爷爷跳出来时，我不禁笑了。这种令人回味的腔调，这种故事性的表演，一下吸引住了我的眼球。这就是戏曲的强大吸引力吗？有这样几句谚语：“嘴上没有功，吐字听不清。”“字不正听不清，腔不回不中听。”“内练一口气，外练筋骨皮。”我想台上一分钟，台下十年功，为了能把精彩呈现给大家，演员们付出了多少的辛苦呀！我的家乡就有种很出名的戏曲叫做目连戏，戏中也穿插了不少杂耍表演，如度索、翻桌、蹬罈、跳索、跳圈、窜火等。当我认识到这种戏曲时，我可谓是十分震惊，那种高难度表演深深的震撼了我---这才是真功夫啊！这才是传统文化的'底蕴和魅力呀！我耐心地，从头到尾的看完了所有的表演，那悠扬悦耳的腔调，那绘声绘色的表演，一直在我心头荡漾……
“用目来观看，捉到个贼姑娘……”黄梅戏又响了起来，这次，我跟爷爷一起坐在电视机旁，听着这悠扬的腔调，看着那精彩的表演，摇头晃脑，不亦乐乎。
初一下册语文第四单元作文：与戏曲结缘作文800字
一平一仄，一高一低，我细细聆听着委婉的唱调，一股细腻的感动从心底涌出，一切，只因我与戏曲结缘。
与戏曲结缘，看繁多剧种舞动乾坤，惊叹中华文化魅力无限。
婉转的腔调，生动的色彩，一句句戏调唱遍天下曲；悠久的历史，丰富的内涵，一声声唱出中华魂。
婉转腔调舞剧种。
高亢的语调，道尽独特地域风情。雍容华美的京剧，典雅精致的尾曲，高亢悲凉的梆子戏，轻柔婉转的戏剧——一字一词从嘴中蹦跳而出，道尽人间世态炎凉。历史的厚重沉淀渐渐化作一高一低的动听语调，从人的心底涌出，回味历史的深沉韵味。
独特繁多的不同剧种，舞出中华文化的博大精深。与戏曲结缘，赏多彩流派绽奇葩。
百花齐放创流派。
各种流派绽放戏剧最美丽的浪漫花朵。毕生追求艺术顶峰的梅兰芳，用一世的才华创建梅派。程砚秋用深邃曲折的唱腔塑造一个个外柔内刚的程派经典。荀惠，用柔媚婉约的风格将一个个天真活泼的荀派少女送入万家灯火。舞动的身姿，婀娜的舞态，传神的演绎，一个个妇女形象渐渐从历史深处过渡，百花齐放的各种流派，创出中华文化的众彩纷呈。与戏曲结缘，赏多彩流派绽奇葩。
五彩缤纷绘脸谱。
红黄蓝黑，色彩相交，在碰撞间激起万千火花。血战长沙的关公，赤红的双颊忠勇当先；一声喝断长坂桥的张飞，深黑的面庞猛智依旧；奸险狡诈的曹操，月下煮酒的白色面孔令人生畏。微耸的双眉纵出一生的轮回，交错的画纹印出一代代英雄与小人交错的历史痕迹。变幻的色彩犹如印记了人的灵魂，在历史深刻的步履中渗透丝丝正义的批判曙光。
对比鲜明的。五彩脸谱，绘出中华文化的正直向前。与戏曲结缘，绘五彩脸谱震中华。
铿锵的曲调中是人们流传的智慧源泉，一词一句的肺腑之言渐渐传承了多彩的文化。放下繁重的世俗尘埃，为何不停下脚步，细听曲折直缓的多变曲调绽放的五彩花朵，慢品在灵魂深处磨出回响的悠悠韵味？
婉转的曲调，生动的色彩，细听，乾坤曲，动中华——
一平一仄，一高一低，我细细聆听着委婉的唱调，一股细腻的感动从心底涌出。一切，一切，只因我与戏曲结缘。
Chinese opera has a long and rich history, with a distinct national style. Each type of opera has its own unique charm, charm, and connotation: such as the elegance and beauty of Peking Opera, the refinement and refinement of Kunqu Opera, the high pitched and melancholic tone of Bangzi Opera, and the gentle and graceful tone of Yue Opera
But these treasures of the Chinese nation seem to be somewhat untenable in todays diverse society. Nowadays, with the increasing richness of art forms, traditional opera is facing more severe tests and challenges. It has gradually been forgotten by people and replaced by "pop". More and more people like to follow pop, thinking that in pop, they can show their true selves and gain satisfaction. Abandon traditional Chinese opera and embrace its popularity.
Why does traditional Chinese opera face such a choice? Is it boring? no Its because it cant resist the strong impact of popularity. What is popularity? Leading the trend and pursuing fashion. Undeniably, popularity is also an art, but it is an art in reality.
To put it in a metaphorical way, fashion is like a star that crosses the sky, passing by briefly but shining brightly. More people are amazed by its brilliance, so they abandon tradition and pursue fashion. In their hearts, they only feel the dazzling radiance emitted by fashion that catches their attention. Little did they know, behind a stroke, there was silence, without any pursuit of spiritual enjoyment. Traditional opera, on the other hand, is like a star in the universe that is not dazzling and dazzling. Although it appears and disappears, it always maintains its own rhythm and sings peacefully. It has freed itself from the hustle and bustle and extravagance. Late at night, sitting quietly alone, closing your eyes to listen to a piece of opera, or brewing a cup of fragrant tea, watching a drama program for a while, you will surely feel a transcendent nature and tranquility. You will feel that the ancient yet fresh opera is very beautiful, very beautiful.
This is the charm of opera, like a gentle breeze blowing, where both spirit and soul can be elevated at this moment. In fact, there is no such thing as "go" or "stay" in traditional Chinese opera. It has always been a treasure of our nation, an opera of the East, and an eternal historical and cultural heritage.
Listening, the rustling of the wind, the swaying of the leaves, and the laughter of the clouds, are the melodies that I lost myself in and thought of, ancient and natural.
Opera culture Chinese opera has a long history, and there are many kinds of Chinese opera. Many parts of the country have their own operas, and each place has its own unique local culture. Do not believe it? Lets go into the cultural treasure of opera and enjoy its unique beauty!
There are more than 360 kinds of Chinese traditional operas, and the number of traditional operas is even more amazing: tens of thousands! We know that many kinds of plays and many kinds of plays have their own unique evolution process, and we know the more famous ones: Peking Opera, Yueju Opera, Jiju opera and so on. And Chinese opera is different from western drama. It has its own unique aesthetic concept and performance system. Now lets introduce some of them: "Sheng" refers to the general designation of male roles except big Hualian and clown. Inside and outside, it is divided into "Laosheng, Xiaosheng, wusheng and Huasheng". "Dan" is the general designation of female characters, including: Zhengdan, Huadan, boudoir Dan, Wudan, laodan and Caidan. "Jing" refers to playing some special male characters in character, quality or appearance; "Jing" is divided into singing and work-oriented Hualian; "ugly" plays a comedy role.
OK? Do you think its interesting after reading it? In fact, there are many more! There are three major operas in China: Kunqu Opera, Peking Opera and Huangmei Opera. Beijing Opera is divided into four schools: Mei school, Cheng school, Gou school and Shang school. And we can see on TV that the face of the Peking opera character is very delicate. The actors face is painted with a certain color to symbolize his character and quality. The role and destiny is one of the characteristics of Peking Opera. Its function is to help the audience understand the plot. In short, red faces contain praise and represent bravery; black faces are neutral and represent fierce intelligence; blue faces and green faces are neutral and represent rash heroes; yellow faces and white faces are derogatory and represent guile; gold faces and silver faces are mysterious and represent gods and demons. Facial masks originated from religious and dance masks in ancient times, which are preserved in many local operas today.
Its nice to see the introduction above! Chinas opera culture is so wonderful that it cant be said for ten days and nights! Hope we can continue to carry forward it in the future!